A ground-breaking collection of essays that explore how the material and visual cultures of Ireland and its diaspora (including painting, engraving, photography, devotional objects, ritual, drama, film, television, and graphic novels) intersect with the multiple impacts and experiences of the Irish Famine, from the 1840s to the present day.
Scientifica Historica is a bibliophilic journey through time, surveying the greatest science titles through the ages and exploring the history, development and progression of scientific writing.
Acclaimed art scholar Jonathan Harris here tackles this question by assembling a rich body of essays, along with an extended interview with renowned feminist art scholar Amelia Jones, that tracks the movements in and issues central to contemporary art practice since this pivotal decade.
