Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations?
The leading account of Central Eastern European popular cinemas, providing a historical and a contemporary perspective on Hungarian, Polish and Czech/Czechoslovakian mainstream cinemas before, during and after the socialist period.
In the first book-length study to concentrate specifically on Britain, Jamie Sexton examines the rise of avant-garde and experimental film-making between the wars.
