With an introduction by Richard Eyre, the contributors include Alan Bates, Eileen Diss, Lindsay Duncan, Simon Gray, David Hare, Ronald Harwood, Douglas Hodge, Patrick Marber, Louis Marks, Ian McDiarmid and Jonathan Kent, Edna O'Brien, Peggy Paterson, John Pilger, Hilary Wainwright, Janet Whitaker, Penelope Wilton, Robert Winder, and Henry Woolf.
This book offers a critical examination of Harold Pinter's dramatic writing over four decades, from The Room (1957) to Celebration (2000), emphasising the worth of the plays as pieces written for performance, investigating their status as dramatic (as opposed to literary) texts.