Mark has written a remarkable Gospel. Deceptively simple on the surface, its mystery and ambiguity have intrigued and challenged scholar and lay reader alike. Through veiled clues, controlled word usage and carefully contrived ambiguity, Mark embeds profound theological reflections in the stories he ...
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language.
